The Yut table lamp has an architectural, almost ancient presence. Its sand-toned ceramic column is patterned with rows of raised, brick-like ridges and fitted with two flat side tabs, each pierced with a round window, like the handles of an old vessel. It stands on a slim metal disc and is crowned by a soft oatmeal drum shade. The design is by Pepe Fornas, who gives the piece the weight of a crafted object. It makes a grounded companion for a dining room buffet or a reading chair in the living room.
Aromas Del Campo
Aromas del Campo, a Spanish company founded in 1986, owes its name to the history of the brand, initially selling aromatic products like decorative dried flower mixtures called potpourri and, over time, small glass lamps filled with scented dry flowers, to eventually fully focus on the lighting industry. Aromas Del Campo offers table lamps, pendants, wall and floor lamps; in a modern, sublime style and interesting shapes and arrangements that represent the perfect balance between classics and the avant-garde.
The Yut table lamp has an architectural, almost ancient presence. Its sand-toned ceramic column is patterned with rows of raised, brick-like ridges and fitted with two flat side tabs, each pierced with a round window, like the handles of an old vessel. It stands on a slim metal disc and is crowned by a soft oatmeal drum shade. The design is by Pepe Fornas, who gives the piece the weight of a crafted object. It makes a grounded companion for a dining room buffet or a reading chair in the living room.
Aromas Del Campo
Aromas del Campo, a Spanish company founded in 1986, owes its name to the history of the brand, initially selling aromatic products like decorative dried flower mixtures called potpourri and, over time, small glass lamps filled with scented dry flowers, to eventually fully focus on the lighting industry. Aromas Del Campo offers table lamps, pendants, wall and floor lamps; in a modern, sublime style and interesting shapes and arrangements that represent the perfect balance between classics and the avant-garde.
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