The Nuro pendant light brings a sculptor's sense of play to the ceiling. Suspended from a slim cord, a stack of forms builds downward: banded marble rings, a dark metal sphere, a crossbar tipped with brass-toned balls, a coloured cone and finally a glossy glass vessel that holds the light. Designed by Nacho Timon, it comes in three colourways, taupe with terracotta, yellow with white, and all taupe. Its drop adjusts and it dims, so one can hang low beside a bed or several can punctuate a kitchen or stairway.
Aromas Del Campo
Aromas del Campo, a Spanish company founded in 1986, owes its name to the history of the brand, initially selling aromatic products like decorative dried flower mixtures called potpourri and, over time, small glass lamps filled with scented dry flowers, to eventually fully focus on the lighting industry. Aromas Del Campo offers table lamps, pendants, wall and floor lamps; in a modern, sublime style and interesting shapes and arrangements that represent the perfect balance between classics and the avant-garde.
The Nuro pendant light brings a sculptor's sense of play to the ceiling. Suspended from a slim cord, a stack of forms builds downward: banded marble rings, a dark metal sphere, a crossbar tipped with brass-toned balls, a coloured cone and finally a glossy glass vessel that holds the light. Designed by Nacho Timon, it comes in three colourways, taupe with terracotta, yellow with white, and all taupe. Its drop adjusts and it dims, so one can hang low beside a bed or several can punctuate a kitchen or stairway.
Aromas Del Campo
Aromas del Campo, a Spanish company founded in 1986, owes its name to the history of the brand, initially selling aromatic products like decorative dried flower mixtures called potpourri and, over time, small glass lamps filled with scented dry flowers, to eventually fully focus on the lighting industry. Aromas Del Campo offers table lamps, pendants, wall and floor lamps; in a modern, sublime style and interesting shapes and arrangements that represent the perfect balance between classics and the avant-garde.
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